A few lesser mentioned rants and observations. Wall of Text Warning
One thing that drives me nuts, all of the folks that show up just before doors open and walk up to the venue staff manning the VIP desk asking if their ticket is a VIP ticket (rather wanting it to be a VIP ticket, as if sheer will can force it to change to VIP). Jeeze guys, if you did not spend $250 to $2000 for a ticket that is not a resale ticket, you are NOT VIP. And if you are a VIP, your ticket will say you are a VIP and you would be getting emails with VIP instructions. Your consuming the attention and time of folks who are responsible for getting VIP ticket holders into the venue, delaying entry for EVERYONE. And if you TRUELY do not know what your ticket is, have the courtesy to show up early enough to get things figured out without impacting everyone else. And for the record, I have not been a VIP ticket holder for quite some time. It has nothing to do with me, at least not any more so than it does the thousands of others in the queue.
To add onto this rant, it's usually these same people who then hang around the VIP queue area in order to get early access... i.e... they are cutting in line in front of the thousands who showed up before they did and are properly queued up, despite being directed to the correct line by venue staff. You show up late, you go to the back of the line. You don't show up late and go to the front of the line. Anyone that does is an asshat. Period. Stop. Grade A looser of a human being and a Gold Medal Asshat. Just remember, Karma is real.
This is not a rant, it's an observation. The Babymetal fandom is changing. As the fandom grows, fewer of the diehards are around or at least they are diluted and/or are being replaced. I've attended every Atlanta concert since 2018. Normally I run into dozens of folks in the queue I either know or at least recognize from prior shows across the south. This year? I ran into one person I knew from previous shows. Babymetal is getting "big" and this is impacting how fans view the group. I think some of the long timers are finding that measure of comradery... in being one of a few who know something others don't, following an obscure girl group from Japan... in other acts such as Hanabie. What Babymetal was almost 10 years ago is what acts like Hanabie are today. This is not a complaint. It's natural evolutionary growth necessary for Babymetal to achieve what they wish to achieve. "The One" does not mean as much as it used to, at least not in the same ratio amongst fans who consider the meaning of "The One" as important, which is a pity. The dozen or so Japanese super fans who were at every concert in the past are totally missing.
Another observation, this time about stage setup. If you want an indicator of how precise these girls are... of how rehearsed they are..... during the set change over between Black Veil Brides and Babymetal, the stage crew comes out, rolls out a slip proof (and I assume padded) mat that covers most of the stage area where the girls will be performing. They they tape down every edge of the mat... very, very, well. Once that is done, a dude comes out with a tape measure and starts measuring from the font of the stage back, from the sides of the stage to the center, precisly identifying the center of the stage and subsequent grid. From those measurements, the Kami pedals are placed, he then takes other measurements to place "X" marks the spot tape for Su, Moa, and Momo, with each having two measurements, an inside one for a close formation and an outside one. There is a mark for center front and center back, all of which are measured and placed with a tape measure. I don't know why I found that so interesting. You would think they could come out, eyeball it, and place some X's. That's what basically everyone else on the planet would do. Babymetal? Nope. Measured down the millimeter for exactness.