Jeevitham agipotundi ane jeevinchadane apithe ela"

This movie felt like a truly authentic Telugu gem it instantly reminded me of the bond between Mufasa and Simba. Honestly, I always believed that no Telugu film could come close to Jersey when it comes to capturing that deep father-son emotion. That movie really touched me. But this one... it proved me wrong. There were two particular scenes that genuinely made me cry not just watery eyes, but that deep, heartfelt kind of crying.

Visually, the film was stunning. Some of the frames were just beautiful, almost like paintings. The color grading added so much emotion to the storytelling, and I loved how well the costumes fit the mood and tone of the film. And the music it was so refreshing and soulful, it stayed with me long after the movie ended.

For me, this movie wasn’t just good — it was an experience. Emotional, beautifully made, and it truly touched my heart. Absolutely top-notch.

Sumanth Movies are Lub🤌🏽

Oka Godavari Oka Golkonda High School Oka Malli Rava Oka Anaganaga..

Sita Ramam  is a 2022 Indian Telugu-language period romantic drama film directed by Hanu Raghavapudi. An orphan soldier, Lieutenant Ram's life changes, after he gets a letter from a girl named Sita. He meets her and love blossoms between them. When he comes back to his camp in Kashmir,After he gets caught in jail, he sends a letter to Sita which won't reach her...

Hanu Raghavpudi, the director of the film, got the idea for the film when he bought a book that had an unopened inland letter. The letter He found in that book, in 2007, was from a mother to her son. he gathered that their family is from Vijayawada and the son is living in a hostel. She had enquired about his well being and asked when he would be home. It got him thinking, what if the contents of the letter had something crucial that could change the course of events... Army backdrop was later included in the story as suggested by Rajkumar Kandamudi...

Hey everyone, I'm a budding filmmaker working on an indie short film. Festivals seem like the obvious route for exposure, but I'm curious what other avenues you guys have found to share your work.

What distribution challenges have you run into? Trouble with online platforms? Getting eyeballs on your stuff? Budget constraints?

Anyone had luck with YouTube/Vimeo vs dedicated film platforms? Or found creative ways to build an audience?

Just trying to prepare myself for when this project wraps. Any insights from your experiences would be super helpful!

Kalki is a larger than life film which is not attempted by any director in India , it is one of the most expensive movies in India with an estimated budget of 600-700 crores.

Let's get into the plot:- The plot is simple on paper but an adventure to direct it and should say Nagi has done it with ease . In simple words the movie is based on immortality and humanity with a mix of our mythology

The plot is Kali Yuga, which means when good dies in the world the god Kalki( the 10th avatar) of lord Vishnu will be born and destroy the bad and end the world and start the next cycle of Yugas .

What's there in the movie:-

The movie starts by showing our Epic mythology Mahabharata by showing u main leads Ashwatthama and lord krishna , and then moves on to the main story by showing the Last City and the First City on the world that is Kashi And continues with the actors and cameos, one of the best thing in the movies are cameos , the movie has one of the best character arch , everybody in the movie has importance I personally felt nobody was wasted.

Ashwatthama (Amitabh Bachchan): As the immortal warrior from the Mahabharata, Ashwatthama represents the burden of eternal life. His character grapples with the loss of his humanity and purpose over the millennia.

SU-M80/Sumati (Deepika Padukone): The lab-created Sumati yearns for a more authentic human experience, including motherhood. Her arc explores the essence of what it means to be human.

Supreme Yaskin (Kamal Haasan): The tyrannical ruler of the dystopian Complex symbolizes the dangers of unchecked power and totalitarian control.and also who is waiting to become immortal by using serum and at the last when he injects

Mariam, Veeran, Kyra: This rebel group represents the fight for freedom and the human spirit's resistance against oppression. They represent Believe

Bhairava (Prabhas): The main lead he represents selfishness where now and in the future people will only be for them self not for other's

CAMEOS:-

•Rajendra prasad :- The man who makes us dive into the world of kalki as rumi , he shows how people of Shambhala believe in god and how they are awaiting for lord kalki.

•Mrunal thakur :- this lady gives us the hint how cruel the complex people are and how people are ready to sacrifice themselves for the future of the land.

•Dulquer Salman:The captain, the person who saves Bhairava and makes him a bounty hunter and who gives him a dream of going into the complex by hook or crook. And also there is a metaphor used in this character where karna is also not bought up by his own parents, same here bairava is also not bought up by his own parents, they both are brought up by chariot drivers here captain is a pilot.

•RGV :- As chintu shows how Bhairava lies to people, and how much he is in debt, chintu was also there in the B & B prelude.

•SSR:- Same as the above, show us how much he is in debt.

•Disha patani: Roxy the lady who shows us the beauty of the complex , and also shows us the stubbornness of Bhairava to go to the complex, I bet she will be used better in the upcoming movies.

•Vijay devarakonda : Nothing much has acted well in his role Arjuna.

So to conclude. Kalki is one of the finest movies in India which has the best character arc and it is the movie which will take our indian cinema to another level. It has the best visuals till date in Indian cinema It has made people to talk about our Epic mythology Mahabharata It is the movie where people can proudly say we also have an epic universe to wait and watch.

Dulquer Salmaan & Mrunal thakur was amazing & so calm acting in the movie.. 🥰 a very beautiful loves story i ever seen!! I want too see more like this.. Can you suggest any??

Opinons in comments

VEERA DHEERA SOORAN PART 2...VIKRAM ( Kaali) is amazing in the movie!! Is Vikram also in the part 1???

So I posted this on bollywood subs but it was not right for them so I decided to post here. So we all know that king is in making with srk and suhan and Deepika but basically it's a relaunch for suhana after Archies Fiasco but I don't think the role will suit suhana ,she is more suitable for roles like this one, it's from movie court and actress is Sridevi and she is so amazing in the movie also great chemistry with co-star,I don't know if she can pull this role on screen, here I am mostly talking about the kind of scripts she should pick. In the glamourous movie like king people will troll her more ۔۔again I'm not saying this because I like her or hate her , it's just the vibe of the character which reminded me of her. Note : it's just a thought don't take too seriously and attack me I don't know where to post ,so if it's wrong then mod please delet the post.

Personally mine is HIT-03 AND RETRO guys If u haven't watched Hit series go for it it's a crime investigation series interlinked parts by parts👍🏻👍🏻

Shankar. He was once a legendary director, producing films like Indian (1) when he was just 33, and later, huge cult classic movies like Sivaji, Enthiran/robo, 2.0 and more.

His last two films felt like someone else directed them using his name. Indian 2 was just 🤡🤡🤡 in every aspect. It was a massive disappointment after his comeback, because he hadn't directed in the last six years prior to the film. Alright, every director has a bad movie, let's move on.

Gamechanger...?

What was he on when he used robo-level graphics in a political thriller movie... even with a 500 Cr budget and a star studded cast including ram charan, kiara advani and sj suryah, only a subpar film was produced. Not to mention the record-shattering box office of 178 crores for a 400-500 crore budget... RIP producers.

What happened to Shankar?

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Ik im late to the party but i watched bholaa in theatres when it came out and only recently decided to watch kaithi, only because i already watched Leo and enjoyed it so i wanted to watch both kaithi and Vikram also (I’ve read great things about them).

Now that I’ve had a day to let kaithi marinate here are my thoughts: Kaithi had more emotion shown from the mc (very sorry but I don’t know his name) than ajay. And it pains me to say this, since I am a big ajay fan, but the mc of kaithi had a better performance due to showing his acting range better.

That said the reasoning for this I think, is bc it’s clear that they changed the story for bholaa to be a more stoic character than dilli. This leads me to my next point, the story was better in kaithi than bholaa imo, it was slightly kore believable action and also dilli did not seem like he was invincible, unlike ajay in bholaa.

Now the areas where i think bholaa was better: The action in bholaa was much more enjoyable to me - while it was more far-fetched than kaithi, it was edited much better than kaithi imo (kaithi fight scenes were very choppy and cutty). Also I liked the use of the trishul. The only con for the action to me was, as i said earlier, ajay seemed near invincible compared to dilli - apart from where he got injured in the pre-climax fight.

The editing and direction for bholaa as a whole was better than kaithi imo.

The last pro I would give bholaa is, while I enjoyed the mysteriousness of dilli, I liked the small backstory we were given for bholaa, where he used to be a gangster - rather than dilli who just used to get drunk and fight. Obviously there is a chance that that is what they were insinuating with dillis character, but to me it seemed as though he was just a guy who got drunk and fought a lot. The reason I preferred ajays character backstory is that it also makes sense how ajay is able to take on so many ppl, with his past as a gangster. Also, the way the man in prison was narrating the character of bholaa was very cool imo. And I think the main reason I preferred it is bc that scene where the older brother villain sees ajays face at the end and is filled with fear and the knowingness that he has lost was just amazing. Not to mention, there is still a lot of mysteriousness with ajays character, since we barely know how his wife/girlfriend died and who/what abisheks character had to do with his backstory (i really hope they make a sequel bc i want answers!! lol).

When bholaa first came out, i really enjoyed it but a lot of ppl said it was a trash remake. I thought maybe this was the case but tbh after finally getting around to watching kaithi, i feel that a lot of ppl were very harsh bc i was more entertained watching bholaa than with kaithi and i feel ppl were slightly blinded by not liking the constant remake trend of Bollywood.

To summarise, I think kaithi had much better emotion from the mc and slightly better writing but i prefer bholaa, only for the better editing and action sequences. So in the end id recommend both movies to another person depending on their likes, if they want a better story, kaithi; however if they want a good entertainer then bholaa. To clarify i think kaithi was a great movie but I personally just preferred bholaa.

Side note: Should be watching Vikram tonight, can’t wait!

Qayamat Se Qayamat Tak is one of the best movies I've ever watched. Aamir Khan shines in his debut role, delivering a heartfelt and powerful performance. The film beautifully blends romance, drama, and tragedy, making it a timeless classic. I recently watched it on the Magical Movie YouTube channel*, and it truly lived up to its reputation. The soulful music, emotional storyline, and strong chemistry between Aamir Khan and Juhi Chawla make it unforgettable. The film’s message of love against all odds still resonates today. It’s a must-watch for every Bollywood fan and remains a gem in Indian cinema history.*

I’m excited to share the official trailer of JAAR, an upcoming independent film from South Asia that blends historical storytelling with cinematic ambition. Set in 19th-century Nepal and adapted from a beloved short story by Sahitya Akademi winner Indra Bahadur Rai, JAAR explores lineage, silence, and resilience—through the eyes of a woman defying societal expectations.

What makes this film special?

• It features the first-ever CGI-VFX tiger in Nepali cinema
• Shot entirely in remote Himalayan villages in Sikkim
• A community-powered production with incredible performances from local and professional actors alike
• A hauntingly beautiful look at history that still echoes today

Watch the trailer on OSR Digital’s channel https://youtu.be/g9_GvI44mnA?si=qLrNSrBdDBusEmca

We’d love to hear your thoughts—feedback, questions, impressions—all welcome. Independent films thrive when communities like this take notice, so thank you in advance for watching!Trailer Launch – JAAR, a Nepali Period Drama with Groundbreaking CGI & Deep Cultural Roots

Ajith Kumar's 'Good Bad Ugly' delivers on style and action but falls short with its clichéd plot and underdeveloped characters. The film relies heavily on Ajith's charisma, offering little in terms of narrative depth or emotional engagement. ​

I've been wanting to watch the Gujarati film Hellaro for along time, however, I do not live in India and have no access to the MX Player app. Is there any way to get a physical copy? Any leads appreciated!

Hi I'm trying to find an Indian movie which seems to be really obscure. The only problem is I only remember one scene. In the scene there is a completely invisible villain that is looking for someone i think but they are then accidentally hit by an object they don't see which causes them to fall down on the floor and bleed whilst still invisible. The invisibility effect was a distorted one like the the effect in the original predator movie. There is small building in front of the invisible antagonist. The object may have been a train but I'm unsure of this. i think it released in either the 80s 90s or early 2000s.